Glass Onion Review – A Knives Out Mystery: Best IMDB Review

Glass Onion: A Knives Out Mystery: From the 1968 album of glass onion review the Beatles, often known as The White Album, may be recognised by Beatles aficionados. John Lennon intended the song as a playful jab at fans who read too deeply into the lyrics of the band in search of hidden meanings. The song makes fun of the fact that words can occasionally be completely shallow.

Perhaps finding this hilarious too much, writer-director Rian Johnson gave the sequel to his 2019 movie Knives Out the name Glass Onion.

Glass onion review
Glass onion review. Photo: Koimoi

As the movie goes on, Johnson’s sarcasm gets progressively worse, which gives the audience a wonderful time.

With Knives Out, Johnson offered the time-honored whodunit a revitalizingly original modern update.

Johnson amplifies the amusing and comical parts of Glass Onion while maintaining the mystery’s core components. But as the movie plays out for laughs and thrills, nothing is to be taken seriously, exactly like in the Beatles song. And it does it quite stylishly.

The movie centres on a murder mystery party that takes place on a millionaire megalomaniac’s private island (a deliriously over-the-top Edward Norton).

A diverse collection of individuals, including a high profile politician (Kathryn Hahn), a funky scientist (Leslie Odom Jr.), a frivolous Internet sensation (Dave Bautista), and a washed-up supermodel, are invited to the party with Daniel Craig returning as dapper investigator Benoit Blanc (Kate Hudson).

A friend-turned-foe of the host (Janelle Monáe) who has a beef with almost everyone at the party is also invited.

As soon as the guests arrive, it becomes clear why they are there, and murder is actually committed.

The events that follow involve much finger-pointing and the disclosure of secrets and ulterior intentions.

Johnson begins the first half with an absurdist comedic tone to raise anticipation before lowering it with surprising changes and surprises.

Along with an intriguing whodunit, we also get a funny comedy with witty one-liners and witty asides sprinkled with delectable pop-culture references.

Additionally, Glass Onion offers social hors d’oeuvres that expose the egotism, avarice, and deceit of the powerful and well-known. Glass Onion is so much fun because of its humour and social satire rather than the mysteries and deception, which are amusing enough on their own.

It’s obvious that Daniel Craig is having a blast playing a protagonist who is the exact reverse of his James Bond persona.

This time, we are given some background information to help us comprehend Blanc’s many personality traits.

Janelle Monáe performs at the top of her game in an incredibly charismatic role. The only sympathetic character is definitely hers, and she steals every scene she appears in.

For the majority of its 140 minutes, Glass Onion is a lot of fun, but when it attempts to be too clever with a drawn-out twist ending, things become lukewarm.

It will be interesting to see what Johnson has in store for Benoit Blanc in the upcoming installment of the hilarious Knives Out franchise.

Glass Onion Review

You won’t read about (and, ideally, won’t hear about before you watch the movie) the best parts of “Glass Onion: A Knives Out Mystery” in this review. However, rest assured that they are numerous and liberally distributed throughout Rian Johnson’s hilarious if slightly subpar, sequel.

When Johnson’s film begins to drag, the brilliant details, humorous name-drops, and carefully placed jabs at the shallow celebrity culture keep it moving. Following the success of his 2019 smash hit “Knives Out,” the writer/director has greatly broadened the scope of his stories. Everything is more extravagant, flashy, and twisted. Both the running duration and the time period the tale covers are longer. However, that doesn’t automatically make “Glass Onion” superior. Johnson’s mystery doubles back on itself to reveal more information about these folks we thought we’d gotten to know, which results in a flabby middle. The outcome seems monotonous.

The simmering tension from the first “Knives Out” has subsided in this location against the expansive, sun-dappled grandeur of a lavish, private Greek island.

Glass Onion Review
Glass Onion Review. Photo:koimoi

Johnson’s first movie was so clever and original—funny but yet really suspenseful—that it would be difficult for him to surpass it. The first time around, his characters felt fuller (no pun intended), and his ensemble cast had more to do overall. Janelle Monáe, Kate Hudson, and Daniel Craig, who once again does his best Foghorn Leghorn impression as the intrepid detective Benoit Blanc, all give substantial and impactful performances in “Glass Onion.”

And a few of his well-known cameos are pure joy. Leslie Odom Jr. and Kathryn Hahn, two multi-talented actors capable of adventurous, exciting work, unfortunately, languish in underwritten supporting roles.

However, if you can see “Glass Onion” during its one-week run in theatres before it begins streaming on Netflix on December 23, it’s a movie that gains from the combined enthusiasm of an enthused crowd. You’ll also be able to prevent any spoilers that could surface throughout the course of the following month. So, here we go!

Miles Bron, a rich tech dude played by Edward Norton, is not nearly as smart as he thinks. He gathers his close-knit clique—a diverse mix of individuals who smugly call themselves “The Disruptors”—once a year for an opulent weekend getaway. This time, as a tease for the murder mystery he has planned in his remote retreat, he sent them all multilayered puzzle boxes (an early indication of the kind of elaborate production design Rick Heinrichs has in store for us). His residence is extravagant and stylishly minimalist at the same time, showing that he lacks a distinct sense of personal style.

Birdie, the model-turned-influencer played by Hudson, Hahn’s married mother and no-nonsense politician Claire, Duke Cody, the brash men’s rights YouTuber played by Dave Bautista, and Whiskey, Whiskey’s scantily clad girlfriend, Whiskey (Madelyn Cline, finding surprising shading), and Odom’s troubled scientist Lionel, who receives urgent faxes from Miles at all hours of the day The joyful and stylish Benoit Blanc also receives an unexpected invitation, and he eagerly accepts it as he appears to be lost in between cases. It’s very enjoyable to see Craig become silly once more.

There until Monáe’s Andi Brand shows up, their reunion is all smiles and hugs. She assisted Miles in creating his corporate empire, but she is no longer on good terms with anyone. Her entrance immediately charges the group and causes Blanc’s antennae to hum. It’s an advantageous set up.

However, as the title (which is a quote from a Beatles song) implies, there are many layers to peel away before you can see the truth at the core. This entire exercise is rather obvious as an indictment of how extreme wealth corrupts, and it fits comfortably into a recent series of satires (“Triangle of Sadness,” “The Menu”) that aim at some simple targets, albeit with plenty of humour and elegance.

In this transactional world, Monáe’s outstanding performance provides us with something meaningful to cling to. Although celebrity appearances are always hilarious, Monáe—particularly in her encounters with Craig—supplies the film with the essential emotional weight and deeper significance. Additionally, Hudson’s acting is more nuanced than we might first assume.

She blends the kind of depth and tenderness that she demonstrated in her Oscar-nominated supporting performance in “Almost Famous” with an appealing ditziness reminiscent of her beautiful mother, Goldie Hawn. It’s a welcome change of pace to witness the always-endearing Bautista portray such a grating character. And depending on the circumstance, Craig provides slightly various renditions of Blanc; as usual, his technical accuracy is excellent.

Part of the fun is trying to outsmart this deliriously convoluted plot, but with time it also becomes a cumbersome process. Nevertheless, “Glass Onion” is nevertheless a joy to see thanks to Jenny Eagan’s wonderfully original costume designs as well as the glistening visuals captured by Johnson’s go-to cinematographer Steve Yedlin. One of the film’s biggest chuckles comes from a particular clothing Norton is wearing in a significant flashback scene.

But in the end, Miles’ mansion’s enormous glass onion serves as an all-too-apt metaphor for the entire film: Sparkling but lacking.

Currently showing for a week in theatres and going live on Netflix on December 23.

You can watch Glass Onion: A Knives Out Mystery on Netflix.

Glass Onion Cast

  • Daniel Craig as Benoit Blanc
  • Edward Norton as Miles Bron
  • Janelle Monáe as Andi Brand
  • Janelle Monáe as Helen Brand
  • Kathryn Hahn as Claire Debella
  • Leslie Odom Jr. as Lionel Toussaint
  • Kate Hudson as Birdie Jay
  • Dave Bautista as Duke Cody
  • Jessica Henwick as Peg
  • Madelyn Cline as Whiskey

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